Ansco Automatic Twin Lens Reflex Camera


Ansco Automatic Twin Lens Reflex Camera
Photo thanks to Ursula!
[email protected]

Related Local Links:
Chuck Boyd on Ansco Automatic Reflex Camera
Twin Lens Reflex Camera FAQ

The following photo notes and posting by Chuck Boyd give a good overview to the Ansco Automatic Reflex camera. I might note that by roughly 1950, the list price had dropped from $262 to $165. Today, you might expect to find a good one at that closeout price - but in today's dollarettes!

I find it interesting how often efforts to upgrade a mass-producer consumer camera brand to compete with top-dollar top-of-the-line cameras has failed (e.g., the Automatic Reflex by Ansco vs. Rolleiflex, Kowa 6 against Hasselblad 500c, Bronica/nikkor S2 vs. Hasselblad 500c, ...). For more on similar price comparisons and why knocking off #1 is so hard, see Deja Vu - Camera Prices and related issues pages.


Photo notes:

Automatic Reflex, a high-quality twin-lens reflex camera made by Ansco (Binghamton, N.Y.) in 1947. 12 exposures 6x6cm on 120 film. The camera turned out to be a commercial miscalculation because at the list price of $262.50 it didn't find too many customers. (for about $20 more you could buy a Rolleiflex with the 3.5 Zeiss Tessar lens!). Ansco Anastigmat 1:3.5 83mm lens in flash synchronized leaf shutter (B, 1 - 1/400 sec). Rapid film transport crank. Automatic frame counting. Ground glass viewing with built-in magnifier. Sportfinder built into the viewing hood. The serial number of the camera in the photo above is: 2004528....


Related Postings

Supplement on Ansco Cameras

Date: Mon, 20 Apr 1998
From: Chuck Boyd [email protected]
To: [email protected]
Subject: Ansco Automatic Reflex

Hi Bob.

To supplement the information on this camera, I would like to offer my findings. There are three versions of this camera. I believe the first provided no flash sync. The second, was synced, and an example that I have has two sync posts, opposing each other beneath the taking lens. The single sync post model has the connection on the winding knob side. Also, the viewing hood is equipped with an optical lens sportfinder, and a critical focus magnifier. The operation of this camera is somewhat like a Rolleicord, in that one must manually cock the shutter with the left hand lever (located between the viewing and taking lens) and release the shutter using the right hand lever (opposite the cocking lever). It boasts double exposure prevention, and once the film is oriented to the first frame, film advance is simply a matter of turning the crank. A nice feature is the main focusing knob (on the left side) is augmented with two front mounted "thumb wheels" located on the front, one on each side, outside of the lens frame assembly. As a final note, shutter work is expensive, due to the involved procedure to gain access to the shutter itself.

You may want to include some, or all, of my findings on the appropriate page.

Later. theboyd


Date: Tue, 12 Oct 1999
From: "Gordon W. Nichols" [email protected]
To: [email protected]
Subject: Ansco Automatic Reflex

When I was randomly searching for Ansco Automatic Reflex on the internet I found your email address.

I worked for Ansco/GAF for 23 years in Binghamton, New York, until the plant closed in 1977, and have in my possession the prototye model of the first model of the Ansco Automatic Reflex. It has an uncoated f3.5 lens and, by the way it focuses, probably has no lubrication in it. Though it operates, I am not sure they ever intended to take pictures with it. Inside the case is written "Approved 4-3-47 with spring insert. Quality Control sample." There is an undecipherable signature.

The camera name is a decal with part of the "A" missing that says, "ANSCO f3.5 REFLEX." It has manual film wind and shutter cocking.

The camera was given to me by Mr. J. J. Kottman, a German engineer and the manager of the mechanical development lab, when he retired and returned to Switzerland. He is dead now. I have had it for over 25 years.

I just thought you might be interested in some ancient history.

- Gordon Nichols





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